4 edition of Making a ballet found in the catalog.
Making a ballet
Clarke, Mary
Published
1974
by Studio Vista in London
.
Written in
Edition Notes
Statement | Mary Clarke and Clement Crisp. |
Contributions | Crisp, Clement, joint author. |
Classifications | |
---|---|
LC Classifications | GV1787 .C564 1974 |
The Physical Object | |
Pagination | 160 p. : |
Number of Pages | 160 |
ID Numbers | |
Open Library | OL4589926M |
ISBN 10 | 0289704871 |
LC Control Number | 77352017 |
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Additional Physical Format: Online version: Clarke, Mary, Making a ballet. London: Studio Vista, (OCoLC) Document Type: Book: All Authors. The book is essentially the biography of the ballet Appalachian Spring much like The Music in George's Head: George Gershwin Creates Rhapsody in Blue is a biography of Rhapsody in Blue.
I was not familiar with Martha Graham or Isamu Noguchi but I enjoyed learning about them, along with Aaron Copeland, with my daughter/5(19). "Making Ballet American is a remarkable tale of two men-Lincoln Kirstein, the brilliant apologist for ballet, and Edwin Denby, the poet of dance critics-who, together and separately, championed George Balanchine's ballet neoclassicism as the cynosure of American ballet.
But the book's historical synthesis is even more gripping, focusing on how Cited by: 1. George Balanchine's arrival in the United States init is widely thought, changed the course of ballet history by creating a bold neoclassical style that is celebrated as the first American manifestation of the art form.
In Making Ballet American, author Andrea Harris challenges this narrative by revealing the complex social, cultural, and political forces that actually shaped the. "Ballet for Martha: Making Appalachian Spring" will appeal to girls who like ballet and dance.
It would also be an excellent resource in a music classroom that is studying Aaron Copeland's "Appalachian Spring" music. This book explains how one of the most famous American musical compositions of the s was created, through Martha Graham's vision/5.
Professional costume making for ballet includes knowing and understanding roles, characters, choreography and ballet terminology. The layers of knowledge required are thicker than a fluffy tutu skirt, aren’t they.
You must go from this To This The Curriculum Is Extensive For All Aspects Of Costume Making.